In the videos of  Eyal Segal, physical space not only serves as an almost exclusive departure point for dialogue (with both the self and the audience), but also explores memory, the legacy of the past and the possibility of self-understanding. In the video series entitled Moon, Mars, Jupiter, which was shot in Japan and which articulates an external – and thus observational – viewpoint, the effect of projecting the image on the floor and walls evokes in the viewer a sense of the physical space which ensures the temporality of perception, and stepping into which further disturbs the system of spatial relationships. [Lili Boros]